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Solas Silver Award – Legend of the Betelnut Princess

March 11, 2013 by Kristin Winet 2 Comments

Last week, Travelers’ Tales press announced the winners of the 2013 SOLAS Best Travel Writing awards, and to my delight, one of my essays took home the silver in the Travel and Food category. Of course, I’m most humbled to be included among a number of other excellent travel writers, some of whom  I’ve had the immense pleasure of interviewing on Travel Writing 2.0 (Chris Epting, Lola Akinmade-Akerstrom, Tom Miller, and Pam Mandel). A heartfelt congratulations to all the winners!

If you’d like to read the winning essay, you can read it on Your Life is a Trip where it was originally published, or feel free to read it here, reprinted below. Enjoy the lovely–and haunting–story of the betelnut princesses!

*

Legend of the Betelnut Princess

This is not exactly the betelnut princess I’d imagined. This woman is sitting outside her dimly lit one-room apartment tying waxy betel leaves around smooth, ivory-colored nuts while her daughter does math problems and sips a cup of mango juice. She is wearing an over-sized t-shirt and a long skirt and has a ginger beer beside her. She has been tying betel leaves for hours, piling them high in a green mountain in a glass case, slipping one every once in a while between her blood-red lips. It is these lips—stained with the tell-tale hint of scarlet, covered in that color I’d come to know as the betelnut smile, that I can’t stop thinking about as she hands me a paper bag.

We are on the tiny tropical island of Xiao Liuqiu, a wet and humid place off the southwest coast of Taiwan. After driving home on the motor scooter we’d rented that morning, Matt—an adventure writer from Canada and my traveling partner for the week—and I sit on a wooden swing outside of my purple bungalow overlooking the sparkling lights on the shores of the South China Sea, and I learn the legend of the betelnut. As he tells me the story, I chew and spit the delectably foamy, grassy-tasting areca nut and betel leaf combination into the grass.

The legend begins thousands of years ago, he says, with one of the four fabled beauties of ancient China, a concubine called Xi Shi who is rumored to have lived during the Yu Kingdom. According to historical accounts, Xi Shi, who began her life as a mere silk washer, was so beautiful to behold that when she washed garments in the stream, fish would become so ashamed at their mediocrity that they would hide at the bottom of the riverbed until she finished. Men built her temples, gave her magnificent palaces, and showered her with jade and other jewels.

Like so many legends of female beauties, hers, too, ends in tragedy. After becoming a woman of the court, she was kidnapped by a minister, taken away on a boat, and never seen again. Some say she was drowned, some say she killed herself, some say she lived to old age as the prisoner of a lust-filled man. The day she disappeared, though, was the last day she was ever seen.

In modern Taiwan, her descendants, lovingly named after her—the binlang xishi—are the betelnut princesses. These princesses stand in twinkling glass boxes, blow kisses at men in cars, and sell semi-narcotic drugs. Their smiles, rumored to be as seductively heart-stopping as Xi Shi herself, are mysterious, alluring, and unmistakably shrewd, telling a shopper everything he needs to know. It’s in here. With me.

Areca-wrapped betelnut
Areca-wrapped betelnut

As Matt finishes his story, I remind him that in our three days on the island, we haven’t seen a single betelnut princess. As I look up from where I’ve spit beet-red betelnut into the grass, I notice the night lights twinkling from the main island of Taiwan. “Where are they?” I ask him. “Where are these blinking glass houses?”

He admits he isn’t sure. After all, though he taught English in Taiwan for seven years, it’s been almost five years since he’s been to Xiao Liuqiu. “I can’t remember if they were down here or not,” he says, “but I’m pretty sure we’ll see loads of them up north. They’re everywhere.”

Crawling into my king-size canopy bed that night, the salty sea wind blustering through the windows in my purple bungalow, I have sporadic dreams of meeting a princess. I’m not sure if the areca nut worked its magic on me or not, but as I turn over, and over, and over, trying to find sleep, I can’t help but wonder what she might be like, and if we’ll be able to talk, woman to woman, at all.

*

A day later, we’ve taken the ferry off the island and hopped the high speed rail back up the coast, getting off at the Keelung station in northeast Taiwan and hailing a taxi to the high mountain region of Tien Lai. On the train, I had checked internet sources and leafed through my guidebook, searching for accounts of the princesses. There were encyclopedic entries about them, small blurbs in travel guides about their proliferation in the northern part of the island, unbiased historic accounts of how a 1960s marketing campaign to sell liquor turned into one of the most interesting use of women’s bodies in the country’s history. Real encounters with them, however, were remarkably slim. Most accounts were from men who’d purchased product from them, and descriptions of the girls themselves were cursory, sexual, or simply transactional. The girls feel like night lights on the mainland—visible, untouchable.

I think about what I’ve learned about Taiwan this week—I think, mostly, about the women. How they could be so conservative by day and so unabashedly sexualized by night. They dress in proper clothes until sunset, and they visit clubs in bra-like tops, platform heels, faces decorated in thick black eyeliner, pink cheeks, and red lipstick. I think of my first experience going to a club with the Taiwanese girls I’d met that week, how they’d been shocked when I’d arrived in a spaghetti-strap tank-top, jeans, and my regular makeup. They’d decided to make me over, to decorate my face, to doctor up my plain American style—to make me look, as they’d told me, like a princess. It only took an application of eyeliner, lipstick, blush, mascara, and eye shadow to do it.

A bright yellow taxi takes us through the cobblestone streets of downtown Keelung, and we catch glimpses of sex shops and brothels, restaurants, and 7/11s. Our driver laughs enthusiastically and tells us in a mix of Mandarin and English that this isn’t the, well, best part of town. I wish I knew how to ask our driver to take us to a betelnut booth—if they were going to be anywhere, here’s where business would probably be best.

Perhaps remembering that my Mandarin consisted of all of three words, the universe decided to cooperate with me. I didn’t need to ask after all. Turning a corner, our eyes suddenly catch the refraction of colored lights. I see the lights at an intersection, rimming a dusty and dirt-smudged box no larger than a telephone booth, blinking in rainbow colors. This, I’m sure, is a betelnut booth.

betelnutstore
Betenut house – c2013 hey-gem

But this box is filthy, covered in grime, its floor littered with trash, dirt, and leaves. Clearly, no one’s been conducting business out of this booth for a very long time. Perhaps it’s the location. Bad intersection, maybe? We speed through several more stoplights, my eyes are glued to the taxi window.

A few blocks later, as the street winds away from downtown, we pass another. And another. And another. By the time we’ve reached the foothills, the mist spiraling around the trees and the stoplights diffusing into balls of white light, we’ve passed six houses. And it has finally occurred to me as we pull to a stop in front of the last one: Something has happened to the betelnut princesses.

The realization hits me like a jolt of areca nut to the brain: all of the boxes are empty. Instead of seeking betelnut girls, I am chasing ghosts.

*

Since the cultural proliferation of the betelnut princesses began in the early 1960s, the mysterious betelnut has been studied, dissected, experimented with, and researched. Medically, we know now that the combination of areca nut and betel leaf are now known to be a carcinogen, causing not only mouth and throat cancer but also ulcers and severe gum deterioration. The combination causes permanent stains on the lips, mouth, gums, and teeth. Culturally, the scarlet-red gums and blackened lips have become linked with connotations of exploited women and poverty. Women’s rights movements have begun rallying against the exploitation of women, and interest groups have begun taking down booths in the name of protests.

The betelnut princesses, it seems, are becoming their own kind of legend, a relic in a Taiwanese past. The real princesses are the women themselves, women who are relishing in their sexuality and enjoying the freedom of expression.

I know this because I’ve met these women and I’ve seen who’s replacing the princesses. Our last night in Taiwan, returning to Taipei by taxi, I ask our taxi driver to make a quick stop at Raohe, one of the most appetizingly curious night markets in the city. I immediately see a betelnut seller—a very ordinary man—nestled in between sellers of sweet pastries, noodle bowls, and fried eel balls. The nuts seem comfortable here, as if they’ve taken their place among the rest, freed from glass houses. I don’t see a long line at the stand, though, and I don’t see anyone with the tell-tale lips wandering around, waiting for the rush.

betelnutstreetmarket
Betelnut street vendor – c2006-2013 whatsonsanya.com

But I feel her, the betelnut woman on Xiao Liuqiu, her hands a blur of wrapping, tying, and tossing, her smile red and bloody as we drove off on our scooter into the cool island evening. Perhaps she herself was a princess one day. Perhaps she’s only heard of the betelnut princesses, knowing them only as legends, as I do. Perhaps she’s never heard of them at all.

The beauty of this story, after all, is absence. As long as sex sells, I know, there will always be women with long legs and hot lips selling products. And as long as Taiwan holds its history sacred, there will always be betelnut, in wedding ceremonies, in night markets, in bowls on dining room tables. But there will not always be princesses. While I know they still exist—somewhere on this oblong-shaped, spectacular island—my Taiwanese trip leaves me with nothing but legends. Like Xi Shi, whose memory rests in an ivory-carved statue in a Chinese temple across the sea, the legend of the betelnut princesses lives on in dusty boxes on the side of the road, still glittering with very old lights.

A special thanks to the Taiwan Tourism Bureau for graciously sponsoring me on this trip.

Filed Under: Asia, Travel Writing Tagged With: betelnut, betelnut girls, culture, food, SOLAS, Taiwan

Text-Speaking in Taiwan at the Lulu Spa

June 3, 2012 by Kristin Winet 2 Comments

Nina has the cutest pair of dimples I’ve ever seen on a teenage girl, and she’s got her black hair with red streaks pulled loosely into an adorable ponytail. She gestures toward the seat in front of her desk, pours me a warm cup of oolong tea, and points to the dressing room. Together, we look at the pictures in the catalogue of women getting hot stone massages, aromatherapy treatments, bikini waxes, and skin wraps, and we pick out the featured combination: for NTD$1999 (that’s about $60 U.S. dollars), I’ve decided to get a combination of an hour full-body relaxation massage, a hot vanilla pack pat down, a ten-minute scrub with a bristle brush, and a tea-and-cookie session afterwards. “Take off, please,” she says, and pulls out a pair of transparent plastic panties from a drawer in her desk.

luluspa
The massage room is fragrant with the scent of roses and jasmine, it is lit with candles, and there are bowls with lily pads floating on them placed strategically in the corners. After I cover myself with a warm towel, Nina pats down my body with aromatherapy oil and digs in, her hands, arms, and elbows tracing my body, kneading, padding, banging, sliding, and pressing, up and down in long, fluid motions. Almost immediately, the transparent panties come off, and she’s swiping a vanilla-scented pack over my lower back and thighs, warming me up and loosening my travel-sore muscles. She leaves the pack placed on my lower back, and I can literally feel my muscles sighing in relief as she works on my shoulders, neck, and arms. Soon enough, I’m flipped over and she’s massaging my chest (yes, all of it—this is not a modest American massage!), and applying pressures to places I didn’t even realize were sore. Then, as soon as it began, she pokes me awake and says, “Ok, lady, no more massage. Xie-xie!” and is out the door.

I dress and come out, my hair a wrinkled, frazzled mess and my mascara leaking down my face from sweating in the head rest. My legs and arms feel like jelly, and I can barely walk, and yet, I feel better at this particular moment than at any other moment on this trip (jet lag be damned!). I am smiling and blinking.

Nina is waiting for me outside with a porcelain tray with two seaweed cookies and a teacup of fresh oolong tea. She motions toward a table and places the tray in front of me.

“You very beautiful,” she says, grinning nervously and giggling like teenage girls in any culture do.

“And you very beautiful,” I say, pointing at her. I also realize, at this moment, that this girl has just seen every single nook and cranny of me. My, this is awkward.

Gaining confidence in her English abilities, she begins to creep over, inching a little bit closer with every step and visibly scanning her mental vocabulary for words she knows. “You….from?” she asks.

“I’m from the U.S.,” I say.

In a panic, her eyes wide, Nina runs to get a napkin and a pen, and pushes both in my direction. I set down my oolong tea and write U.S. in big letters. She scurries over to her friend, another nice girl sitting in her place at the reception desk, and asks her to translate. They giggle together, disappear underneath the desk, and re-emerge with their smartphones, typing furiously and exchanging messages to each other until they’re satisfied with that they’ve typed.

“Here,” Nina says, handing me her phone and smiling playfully. On the screen, it says, bold and in all capital letters beneath a jumble of Chinese characters, “I AM VERY FOND OF FOREIGNERS.”

Nina and I talk for the next twenty minutes, passing the phone back and forth and punching in messages that translate weirdly, awkwardly, and sometimes incomprehensively. But we’re having a conversation—a real-life communicative exchange!–and I’m so relieved. After all, for a girl who loves talking to people, being here hasn’t been the easiest, especially in the making-new-friends department.

“Oolong popular in your country?” she types.

“It’s my first time trying it,” I type back.

“How you like it?” she asks.

“It’s delicious!” I write. “What’s your favorite kind?”

“I don’t know,” she admits, “I like all of them! We like tea very much.”

In our time together, I learned that Nina is going to graduate high school next year, that she hopes to go to university, and that she really wants to visit New York City some day. She’s been doing massage since she was 16 years old. She’s so happy that I enjoyed her work and she wants me to recommend all of my American friends.

This just might be the closest I’m going to get to making a Taiwanese friend here in Taiwan. I type it to her, bow my head, and leave the spa.

A special thanks to the Taiwan Tourism Board for sponsoring this trip to Taiwan.

Filed Under: Asia, Travel Writing Tagged With: encounters, spa, Taiwan, Taiwan Tourism Board

Finance Lessons and Taiwanese Dollars

June 2, 2012 by Kristin Winet 2 Comments

While I’m more or less getting used to the conversion between the New Taiwanese Dollar and the U.S. dollar, I do have my moments. One moment was this morning.

Generally, the standard conversion rate is 1 USD to every 32 New Taiwanese Dollar. Therefore, something that should cost one dollar—a bottle of water, a bowl of noodles, something from a fruit stand or a small trinket from a souvenir shop—would run about 30 NTD. From this scale, the numbers increase exponentially: 5 dollars is 60 NTD, 10 dollars is about 320 NTD, 20 dollars is about 640 NTD, 100 dollars is about 3000 NTD. Over the course of past few days, I haven’t made too many mistakes—I’ve used coins where I needed to, bills where I needed to, and I’ve been trying to be extremely diligent with my receipts (my fap-yaos) for the Bureau, and I’ve been keeping track of everything I buy and how much it costs. For those of you who know me and who are aware that I have never kept a balanced checkbook in my life would know that this is quite the accomplishment.

Until about an hour ago. We are, at the moment, in the small fishing village of Jin Shan on the northeast coast of Taiwan and Matt is doing research for an article (he’s actually catching some waves on his surfboard, which actually does qualify as valid research in this amazing field). As I have no idea how to surf and I can’t speak Chinese so I can’t take a class and I can’t interview anybody, I’m sitting in a coffee shop next door, taking pictures with his awesomely sleek D90 and wishing I knew how to operate more than the auto function, when I realize I’m thirsty and I could really use one of those delicious apple-flavored sodas—the Apple Sidra—that’s so popular here. I see a juice and hotdog stand in the distance, so I leave my bags with my server, a very kind Taiwanese boy who smiles and nods and tries to talk to me every time he comes over and leaves in utter exasperation because all I’m doing is smiling and nodding, too.

taiwan

The shop is about a half-mile away, right outside the surf shop. Tanned, buff, well-sculpted Taiwanese bodies are milling around everywhere, polishing their boards, smoking cigarettes, chatting with friends, strolling up and down the beach in their bare feet, munching on ketchup-drenched hotdogs (people like their ketchup here, I’ve discovered), and generally looking like surfers usually do: good-looking, confident, and impressive—like each and every one of them owns these waves. In a last-ditch attempt to try and fit in with this exceptionally attractive group of beach bums, I kick off my pink flats and sling my traveler’s bag over my shoulder and stroll up to the kiosk, ready to impress with my new-fangled nonverbal Chinese skills.

I see a cooler sitting in the back of a truck behind a leathery-looking Taiwanese lady who is also selling hotdogs, so I waltz over to her and point to a bottle of water on the table. She smiles, stands up, leaning on her chair for support, and pulls out the cooler. She wipes her beaded forehead with a dirty towel and holds up three fingers. Two surfers line up behind me, shirtless and swaggering, and I feel hurried, so I pull out three hundred dollars and hand it to her in a crumpled ball.

Unbenownst to me at that particular moment, I have just paid this woman at a soda and hotdog stand over ten dollars for a bottle of soda. However, instead of just taking my mistake and shoving it into her metal box, though, she starts laughing hysterically, her grin toothless and mischievous, her laugh hysterical and yet not quite spiteful. She thinks this is simply hilarious. She turns to her friends, all of whom are sitting behind her and fanning themselves with fans, papers, and towels, and starts rattling off the story in Chinese, banging her hand on her thigh and laughing like a hyena, pointing at me and shaking the money in her hand. The rest of the onlookers start laughing, and I quickly decide that I want to melt into a puddle in the sand, but I don’t want her—or the attractive surfers behind me—to know that, so I do what any awkward person in any awkward situation does: I start laughing too.

Now we’re all laughing—me, the surfers, the woman, the woman’s friends, and some kids who are playing with a kite behind her who have just noticed the scene. We’re now all in on this horribly embarrassing joke. This is exactly what I hoped would not happen when I finally struck out on my own to make a purchase by myself, and here I am.

I start to slink away, still grinning madly as if I think this is the funniest thing that’s ever happened, and the woman stops laughing long enough to grab my shoulder and point out a coin on the table. She thrusts the money back into my hand, which is now no longer just a crumpled ball but now a crumpled, sweaty ball, and looks at my purse. I take the cue.

Thirty-cents later, I’m on my way again, hurrying back on my tiptoes (pavement’s hot outside!) to hide inside the coffee shop next door until the joke has run its course. (I think I’ll stay here awhile). As I sit down and twist off the cap of my Apple Sidra, I think about what just happened. What surprises me most of all—and delights me in a way I’ve come to be delighted by everything the Taiwanese do—is that she returned the money to me. She didn’t want to take my money, like so many people in places I’ve traveled by myself would want to do. She simply got a good laugh, and that was enough for her.

I think I love it here. Laugh, and laugh well. Lesson learned.

Filed Under: Asia, Travel Writing Tagged With: culture, encounters, New Taiwanese Dollar, Taiwan, Taiwan Tourism Board

The Emperors Are a Strange Breed, Indeed

June 1, 2012 by Kristin Winet Leave a Comment

I have recently come to the conclusion that a prerequisite to being an emperor in China is that you must have a weird quirk. The type of quirk is quite open for interpretation, but there must be something that makes you odd, unusual, and at least a little bit eccentric. Otherwise, and I say this very seriously, you will not be fit to run one of the largest, most influential empires in the entire world.

Let’s look at some examples:

While we in the West do have our dollhouses, the worldwide fascination with everything in miniature actually originated with Ch’ien-lung, emperor of the Ch’ing dynasty from 1736-1795. And a strange man he was–emperor Ch’ien-lung loved all 20,000 pieces of his precious inherited art collection SO much that he hired some poor artist to craft about a hundred bamboo boxes with identical replications of all of his favorite pieces so he could see and play with them at all times. It was quite an arduous process to go into the vault, sift through all 20,000 pieces, and lug up Ch’ien’s fascination of the moment, so the boxes were kind of a practical idea–and they inadvertently started the “everything-in-mini” craze in Asia. The curio boxes, as they’re called in English, are art in themselves, perhaps even more stunning than the mini-artifacts held within them. They’re not only an accordion-style box, but they’re also an intricate puzzle that takes time, skill, and lots of patience to learn how to properly open it (Ch’ien-lung apparently had a lot of time on his emperor hands….must have been an unusually boring dynasty in the mid 1700s?). Most of the boxes are housed in the National Palace Museum, propped open and displayed with magnifying glasses so visitors can see all the little prizes inside: jade sculptures, bamboo toys, ivory carvings…. If Ch’ien-lung had it in the vault, it was probably replicated in some fashion in a mini bamboo box. As the story goes, Ch’ien-lung spent most of his life playing with his little toys, cherishing each tiny piece and lovingly placing them back in their proper place each evening. I believe I would have liked Ch’ien-lung very much.

emperor

A bit earlier, we have Lang Shining of the Qing dynasty (late 1600s), man who loved Chinese brush painting but who was an absolutely terrible painter (I don’t think anyone ever actually told him this–at least I wouldn’t have! Wouldn’t want to get on an emperor’s bad side) Lang adored painting so much, in fact, that he became extremely upset one afternoon when he couldn’t replicate the infamous emperor Xuanzong’s auspicious painting of the three goats, “Three Yang,” (which was painted in the late 1300s and is still heralded as one of the most accomplished paintings of the era), and so, he hired an Italian Renaissance painter named Giuseppe Castiglione to teach him to paint those goats, no matter what. Now, he didn’t want to paint the whole canvas–he JUST wanted to paint the goats (no bamboo stalks, no grass, no mountains). So Giuseppe painted the rest of the canvas in his elaborate European Renaissance style (which, as you might imagine, looks absolutely nothing like Chinese art in any way, shape, or form), and then Lang Shining went in there with his Chinese brush and went to town on recreating the three grazing animals. The painting is extremely awkward–a mashup of two artistic aesthetics that have little in common other than the fact they were both painted with brushes).

emperor3

Nonetheless, Lang’s painting was cherished by his dynasty, and he believed himself to be a very good painter, indeed. Both paintings now hang side-by-side in the National Palace Museum, and I bet you’d be able to tell whose was whose.

A special thanks to the Taiwan Tourism Board for graciously sponsoring this trip and introducing me to the painful and beautiful Chinese history.

Filed Under: Asia, Travel Writing Tagged With: art, Chinese history, culture, Taiwan, Taiwan Tourism Board

Xiao Liuqiu and a Seafood Medley

May 30, 2012 by Kristin Winet 2 Comments

seafood

If you ever find yourself traveling in rural Taiwan, you might want to bring someone who can tell you what you’re eating. Let me clarify: if you ever find yourself on the lovely little tropical island of Xiao Liuqiu (off the coast of Donngang), and you’d like to know what you’re eating, you’ll NEED to bring someone who can tell you what you’re eating. While many of the restaurants in Taipei have pictures of their food items or, if you’re lucky, an interesting English translation, nowhere in rural Taiwan will afford you this luxury. Save for my fruit juice extravaganza yesterday, this is where my culinary adventure has begun.

seafood2

In my soup this afternoon (there is a picture to your left), I found the following items: 2 fully-intact clam shells, one purple octopus leg, two balls of something-fishy-tasting (example to the bottom right of the picture there), a pile of ground meat (beef? pork? something else entirely?), three shrimp, a selection of scallop parts, some fried white meat-like substance that tasted more like beef than the other meaty stuff, three strips of hot pink tofu, some cubed brown pieces I imagine are a third kind of meat, one piece of fried tuna, and lots of noodles and green onion slices. The delightful chef, a sweet Taiwanese woman with a shy smile and a dear love for cooking, excitedly took me into the kitchen, which, yes, was actually a six-burner stove next to our table, and with flourish, pointed out every single item for me on the item, pointing to the Chinese characters and then pointing to the corresponding dish cooking on the stove. While this did give me a kind of ballpark, to be honest, I didn’t really have much of an idea of exactly what was what on the burner itself, but I did appreciate her very kind attempt to help me navigate her restaurant. Everything, by the way, smelled fantastic.

In a leap of faith, I pointed at one of the bowls, smiled, nodded, and sat down. Sipping my papaya-milk and waiting patiently for lunch, I hadn’t any idea that I’d just ordered an absolutely delightful soup–with just the right amount of chili pepper, just the right amount of noodles, and just the right amount of octopus legs and unidentifiable meat-like objects.

seafood3

What I’ve learned today is that sometimes, you’ve got to just close your eyes, point, and hope for the best. After all, when it comes to navigating culinary delights in countries with characters, you simply have to trust the experts.

Welcome to Xiao Liuqiu!

Filed Under: Asia, Travel Writing Tagged With: culture, food, Taiwan, Taiwan Tourism Board

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